After The Shoot
What Should Actually Be In Your Video Deliverable Package
ENTRY 009
READ 3 MIN
LOCATION WELLINGTON, NZ
A surprising number of video quotes never actually define what’s being delivered, just “a final video,” with no detail on formats, ownership, or what happens if it’s needed somewhere unexpected six months later. Worth locking down before booking, not after.
Formats And Platforms
A single 16:9 file rarely covers modern usage. If it’s going on social, 9:16 and 1:1 cuts are likely needed too, and a good vertical cut is a re-edit, not just a crop, because the framing and pacing that works landscape often doesn’t survive a straight crop to portrait.
Master Files, Captions, And Rights
A high-resolution master file kept somewhere safe matters, not just the compressed version optimised for a website or social upload. Captions are worth specifying upfront too, since most social platforms default to sound-off viewing. And whether raw footage access is included, and what usage rights come with it, internal use only, paid advertising, indefinite use versus a set term, should be clear in writing before the shoot, not negotiated after.
Ask what can’t be done with the files being delivered, not just what can.
What To Confirm Before Booking
Aspect ratios needed, and whether they’re genuinely re-cut or just cropped
A high-resolution master file, not only the compressed export
Captions, burned-in or file-based
Raw footage access and usage rights, agreed in writing
Best practice is to set this out plainly for every project, so nobody’s guessing later what they’re actually allowed to do with their own video.
MY TAKE
My take: setting out formats, files, and rights before a shoot starts, not after, costs nothing and saves an awkward conversation later. It’s a five-minute conversation that prevents a much longer one.
Try this: ask for the deliverable list in writing before booking. If the answer is vague, ask again until it isn’t.
Spyro is a commercial DOP and videographer with over 10 years experience. See more here
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